A few months ago, I had the pleasure of working on a commissioned painting—something I don’t do that often since I have been funneling all of my time and energy into drawing designs, working on books, and going to lots of my daughter’s volleyball games. But when Vanessa reached out to me about this project, I couldn’t resist. I wanted a break from drawing black lines, so mixing up some colors to splash on a canvas was just what I needed. And it was a secret project since it was going to be a surprise for Vanessa’s daughter, Elizabeth, and her business partner, Shaelene, who were getting ready to open a brand new salon in Lethbridge, Alberta, called Rebel. Vanessa wanted a piece that would complement the colors they had planned for the salon and tie in with some of their personal interests.
I pulled together some swatches that might work with the photos and description Vanessa gave me of their colors, we messaged one another back and forth on ideas, and the image I wanted to paint took shape fairly quickly. Off to the art store for a new canvas and extra paints.
One of the ideas that came up was to incorporate a pair of scissors in the painting—hidden just enough that they didn’t dominate the painting, but instead, offered a little ah-ha moment for those who looked closely enough. After a few sketches, I decided the scissors would fit nicely into the tail of this rather extravagant moth I had sketched. And they had to be gold.
Once I had the design transferred to my canvas, I stated laying down blocks of color starting with the gold scissors. The first coat was a bit translucent, so I had to keep building up my layers until I was happy with the outcome.
First layer of goldBase layers of colors in progress and I placed a wood circle in the center of the flower to see how it would look.
I’ve long been keen on incorporating found objects into my beading and embroidery projects and wanted to do the same on this canvas to give it more depth and interest. I dug through my boxes of buttons, metal, jewelry and beading bits and settled on a number of pieces that would work including a large wood circle that would work as a focal point.
Building more layers and adding three-dimensional paint.More layers, more three dimensional paint in warm, earthy tones and copper.Attaching metal brads through the canvas and applying three dimensional paint lines and dots.A brass bird skull detail.Three dimensional paint application. I had to do this in stages since it can be slow to dry and easy to smudge. A heat gun helps but if you get too close, the paint explodes.More layers and texture in addition to silver bee trinket sewn onto canvas, the wood ring with a silver button in the center, plus wood buttons—all glued and sewn to canvas.Spacing floral jewelry caps with pins and securing with tiny brads in their centers. I had to carefully cut into the canvas with an xacto blade to allow the bird skull to snuggle down low enough into the canvas, then I used embroidery thread sewn through the eye sockets to attach it and also applied glue to the back of the canvas for extra stability.Getting closer! More paint, more brads …The final piece sitting on my deck waiting to be carefully packed and shipped off to Canada!
And here it is in its new home at the Rebel Salon with Shaelene (left) and Elizabeth (right). Cheers to these lovely rebels and their new business venture! Congratulations, and I wish you both so much success!
And last but not least, cheers and a very special thank you to Vanessa for bringing us all together in a creative way. I love knowing my moth is north of the border and with fabulous company—the best to you always, Vanessa!
A little about the Rebel Salon from their Instagram feed:
* A person who rises in opposition that defies rules and norms. They value spontaneity and their freedom, and are independent-minded. They want their lives to be a true expression of their values •
When we were trying to name our salon, we easily went back and forth for about a month on different ideas! We wanted something that spoke to us, had meaning, and represented our journey/ who we are!🌟
And then came REBEL⚡️ Immediately we both knew this was it! We look up to strong, independent-minded women both within our industry and outside of it, and wanted our salon to be a collective of women who embody these characteristics. So here we are, taking our shot at our dream for a space where creativity can flow and we can share our passion with you all!
Love this so much. Keep creating, stay smart and strong my friends!
Anyone who knows me well knows I am a blanket junkie. I’ve got them all over the house. On chairs, in closets, in boxes and hampers. We even have a few in the Jeep. And we use them. A lot. Especially during the colder months when the wind is howling down on us from the north and the snow piles up. But even during our gorgeous northern Michigan summers, early mornings and late evenings can be chilly.
So how fun would it be to wrap up in the wings of a fanciful luna moth?
This vivid luna 51 x 60″ throw is based on an illustration I did of a botanically inspired Luna moth for an adult coloring page. I used a variety of colored pencils to bring the black and white line drawing to life, and since then, it has morphed into several products (including pillows and a ceramic travel mug I love and use every day) in my Society6 shop. I ordered two throws – one for myself (which I keep on my chair in my studio) and one to sell in my Etsy shop. That one sold within hours of listing and is now on it’s way to Canada, but there are more available at Society6 including two larger sizes: 68 x 80 inches and 88 x 104 inches.
Yep, it’s listed as a “butterfly” instead of a moth. While working with my design files I lumped a bunch of illustrations together under a “butterflies” folder on my computer and so “butterfly” was stuck in my head while uploading items to Society6. Whoops. Slow down, mama.
Many years ago (well before I became a mom) I was camping with friends at the Greenwood Reservoir in the Upper Peninsula of Michigan. Along the way to the outhouses one rather misty morning, before anyone else was stirring, I discovered the wings of about 6 Luna moths scattered on the ground under a lamp post. Their bodies gone; a Luna massacre. I was horrified and fascinated. The wings were huge and the most beautiful shade of green. I remember carefully picking up a few of the wings so I could bring them home, but over the years, moving from place to place, they have disappeared. One of many little life experiences that continue to shape the art I create today.
By the way, if you love moths, please check out the gorgeous soft sculptural creations by CuriousObjectsCo – Larysa is a very talented artist, and I dream of having one of her moths on my wall some day. She uses richly textured fabrics and beadwork and her moths are just stunning.
So these 100% polyester throws (manufactured via print-on-demand through Society6) are super soft and warm. The inside is lined with really soft, fluffy white Sherpa fleece, and the fanciful botanical-themed moth floats on a misty, silvery-grey background.
In my experience, these throws get even softer when washed (and they can be machine washed with cold water on a gentle cycle, then tumble dried on a low dryer heat setting).
Soft, smooth, and available in many colors, this t-shirt features the Botanical Butterfly No. 1 by Ruby Charm Colors. It’s made with 100% fine jersey cotton (Tri-fit tees contain 50% polyester / 25% cotton / 25% rayon) combed for softness and comfort. Available in Men’s & Women’s styles and sizes (see charts below).
Shirts and tank tops are printed by Society6 using a technology called Direct-to-Garment (or DTG), which lays down soft, durable, full color spectrum prints.
The black & white illustration this design is based on was originally drawn by the artist, Susan Carlson, for the Ruby Charm collection of coloring pages and books for coloring enthusiasts. This illustration was completed with a mix of watercolor and colored pencils, plus a number of pens for embellishments.
California Fleece Zip-up Hoody is made by Society6 with 100% California Fleece cotton (Heather Grey contains 90% cotton / 10% California Fleece). A single botanical butterfly from the Ruby Charm Colors collection adorns the front or back (your choice) of this hoody complete with front kangaroo pockets. The slightly stretchy, comfortable fit, unisex cut includes double-stitched cuffs and hem. Sizes S, M, L, XL (see chart below).
All Hoodies are printed using a technology called Direct-to-Garment (or DTG), which lays down soft, durable, full color spectrum prints.
The black & white illustration this design is based on was originally drawn by the artist, Susan Carlson, for the Ruby Charm collection of coloring pages and books for coloring enthusiasts. This illustration was completed with a mix of watercolor and colored pencils, plus a number of pens for embellishments.
Protect your laptop with a unique sleeve from the Ruby Charm Colors collection. These form fitting, lightweight sleeves for both 13″ and 15″ laptops are manufactured by Society6 with high quality polyester which allows for vibrant color absorption. The Botanical Butterfly No. 1 design is printed on both sides to fully showcase the artwork while keeping your gear protected. Pull back the YKK zipper and you’ll find the interior is fully lined with super soft, scratch resistant micro-fiber.
These sleeves will also fit some iPads, but please keep in mind that laptop and tablet sizes vary greatly. Society6 does offer a no-hassle return if you run into issues!
The black & white illustration this design is based on was originally drawn by the artist, Susan Carlson, for the Ruby Charm collection of coloring pages and books for coloring enthusiasts. This illustration was completed with a mix of watercolor and colored pencils, plus a number of pens for embellishments.
This adorable 11 ounce butterfly mug can be used for coffee, tea, or whatever you’d like! Made of premium ceramic by Society6, this mug features wrap-around art and a large handle for easy gripping. It is dishwasher and microwave safe, and also available in a 15 ounce size as well [choose from dropdown menu on the Society6 page or click here].
ABOUT THE DESIGN: The black & white illustration this design is based on was originally drawn by the artist, Susan Carlson, for the Ruby Charm collection of coloring pages and books for coloring enthusiasts. This illustration was completed with a mix of watercolor and colored pencils, plus a number of pens for embellishments.
This week, I finally completed a color-test of my latest illustration for a new adult coloring book in the works and wanted to share my approach, tools and tips. I learned a few things about my process during this piece—things some of you more experienced colorists probably already know—but I thought they would be worth mentioning. The illustration took approximately 15 hours to draw, and probably about the same to color. It is 7×10 inches and the black and white line version is currently available on Etsy.
The butterfly is based on a pencil sketch I did a few years ago. I pulled it into Procreate and used layers to create a clean black and white line drawing, then added in the spheres, leaf vines, and two other butterflies. I drew one sphere and duplicated it three times, resizing and rotating each layer until I was happy with the composition.
When I save a digital file for future listing in my Etsy shop, I always create two images: one with pure black lines, and then another with lines that have reduced opacity to about 40-50%. I am starting to prefer coloring on the grey-line versions of my work because it allows me to focus more on hue and shape instead those black lines. I can then go back and darken or add lines where I would like to emphasize them.
I print my illustrations on card stock (in this case, it was Neenah Exact Index, 110 lb) with my Epson Stylus NX625 printer, and for the butterfly, I chose the grey-line version from the PDF.
My working space
I have a few hard artist boards I use to draw and color on because they provide a firm, smooth surface, and are easy to move around my desk (and off my desk if I need the space for something else). I also use an OTT Lite above my workspace as well as a small halogen desk lamp with a goose-neck. I also have another OTT light I can pull in if needed. Until I can get bionic eyes, I need to work fairly close to my illustrations. It’s frustrating sometimes, but being able to adjust the angle of my lighting helps.
My small desk area gets pretty messy while I am working.and I only clean up once a project is finished. I store all my pencils in BTSKY and Soucolor cases (which I found on Amazon) and organize them by color and brand and pull them out as needed. The reason I organize them by brand is because they behave a little differently on paper and I want to see my color options for a given need in one place. But more on that in a minute.
Even though the pallet appears to be somewhat limited for this particular illustration, I used many different pencils—brands as well as colors. I wanted to work purples and greens into the spheres, and over time, the colors sort of started dictating themselves. I sometimes have a loose color plan going in, but I don’t always stick to it. I admire colorists who can stick to a specific pallet—especially if it is a limited pallet. I’ve yet to try.
I usually start with the Caran d’Ache Luminance, Pablo, Prismacolor and Polychromos pencils, They provide a nice, soft base of color to build upon. I wish I could say I have one method I always follow but I don’t when it comes to blending. Sometimes I work from darker colors to lighter, sometimes lighter to dark. And I sometimes start wth my mid-tones and work out from there. My favorite pencil for lightening areas and adding highlights is the Luminance white pencil. I’ve used a variety of brands, and this one has become my go-to. It effectively blends underlying colors, but lays down white pigment more effectively than my other white pencils.
With the purple triangular areas for my spheres, I put down a very light layer of Prismacolor Parma violet from the points to about 3/4 of the way down the triangle shape. Then I used Black Cherry from the base (with a heavier hand but decreasing pressure back up to the point. Bistre (#179), one of my favorite Polychromos pencils, was then used to blend the Black Cherry and Parma together from the point about halfway down. The brown really warmed up the violet hues. I blended a little more with those base colors, then used my black Irojiten pencil to deepen the shadows at the base of the triangles. And added a touch of Irojiten Crimson to the tips. Finally, I finished off the triangles with a mix of Irojiten Iris, Plum and Crocus to burnish and seal my colors.
I tend to work with a lot of layers – maybe too many – and I also feel the need to practically push my colors right into the paper. I don’t necessarily recommend this practice (I am not a colored pencil expert) – it’s simply the way I work to get the effects I want. And I experiment a lot and may change my ways over time. But for now, I like to burnish my colors with a final layer using the Irojiten pencils. Because they are harder than most pencils (especially the Prismacolors and Polychromos) they help “press” or “melt” the pigments into one another. Burnishing is typical done with a colorless blender (like the Caran d’Ache full blender) but I discovered I like using the Irojitens instead. The provide a touch of pigment in addition to burnished results and add a little more saturation and depth to my work. You have to choose your colors carefully, but it works for me. So with the purple triangles, using the Plum Irojiten gives a little more reddish saturation to the violets, while the Iris plus in a little more blue. Since Crocus is rather light, it works well as an overall blender with this set of colors.
Another tip with the Irojiten pencils – using Eggshell (which has a very pale yellow tint) is wonderful for burnishing greens. Don’t be afraid to experiment with these lovely wax-based pencils if you own a set. It seems people either love them or hate them, but do give them a chance. Play with your colors on scrap pieces of paper while working to see how different tints will react to your base layers. I purchase my Irojiten pencils through Blick as they have both sets and open stock as well. Since I use black and eggshell the most, I can easily purchase individual pencils.
Another reason I love the Irojitens is that they help give a little sheen to my work and they get rid of any small white spots that may have been left behind from my pencils skipping over minute “pits” that may exist in the paper.
My final step after burnishing (and sometimes during) is using my Verithin pencils (which have a fine, hard point) to sharpen and enhance some of my lines and refine shapes. Sometimes I’ll use a Faber-Castell PITT pen to add darker lines and details as well, plus a few gel pens to add small dots and other embellishments. I prefer matte over metallic Sakura gel pens (because they don’t reflect as much when I scan or photograph my work for other uses) and have a set of Soufflé pens.
That’s about all for now! Feel free to bookmark or follow my blog as I plan to start adding videos as time allows.
